New Farm, Red Hill, Elizabeth, Tower Cinemas Newcastle & Regal Graceville. Advance Screening: Wed 11 November. In this astounding new high-wire act of self-reflexivity from Nathan Fielder and Lance Oppenheim, created in secret, convicted Silicon Valley fraudster Elizabeth Holmes becomes an entirely different kind of camera subject. In a seemingly endless parade of documentaries, dramatisations, and exposés, Elizabeth Holmes, the inventor of a purported “miracle” medical device at her company Theranos, and sentenced to prison for fraud, has been the face of Silicon Valley hucksterism. Yet in this astounding new film from Fielder (The Rehearsal, Nathan For You, The Curse) and Oppenheim (Primetime), created in secret over the past four years, Holmes becomes an entirely different kind of camera subject. Inviting Fielder into their home to live with them and start recording their lives just 34 days before her incarceration, Holmes and her romantic partner, William “Billy” Evans, profess her innocence on their own, intimate terms. Is this all an elaborate ruse? Or is something even stranger afoot? Fielder and Oppenheim have created a fascinating portrait of a relationship, decimating notions of objectivity in documentary while also interrogating the limits of fiction. This blistering, head-spinning—and frequently hilarious—high-wire act of self-reflexivity keeps changing shape and uncovering surprises as it swerves headlong into the unknowable.

New Farm, Red Hill, Elizabeth, Tower Cinemas Newcastle & Regal Graceville. Advance Screening: Wed 11 November. In this astounding new high-wire act of self-reflexivity from Nathan Fielder and Lance Oppenheim, created in secret, convicted Silicon Valley fraudster Elizabeth Holmes becomes an entirely different kind of camera subject. In a seemingly endless parade of documentaries, dramatisations, and exposés, Elizabeth Holmes, the inventor of a purported “miracle” medical device at her company Theranos, and sentenced to prison for fraud, has been the face of Silicon Valley hucksterism. Yet in this astounding new film from Fielder (The Rehearsal, Nathan For You, The Curse) and Oppenheim (Primetime), created in secret over the past four years, Holmes becomes an entirely different kind of camera subject. Inviting Fielder into their home to live with them and start recording their lives just 34 days before her incarceration, Holmes and her romantic partner, William “Billy” Evans, profess her innocence on their own, intimate terms. Is this all an elaborate ruse? Or is something even stranger afoot? Fielder and Oppenheim have created a fascinating portrait of a relationship, decimating notions of objectivity in documentary while also interrogating the limits of fiction. This blistering, head-spinning—and frequently hilarious—high-wire act of self-reflexivity keeps changing shape and uncovering surprises as it swerves headlong into the unknowable.